Millennial movements do not always go boom and bust. As innovative responses to worlds in crisis or projections of possibilities for a world in the doldrums, millennialism has been a prime mover for many an artistic and scientific vision of the world reconfigured. Flourishing well beyond the life of any prophet, bearing fruit well beyond the waning of any redemptive scheme, these visions merit a history of their own. The End that Does tracks the interplay of the arts, the sciences, and millennial imagination across 3000 years of surprising conclusions.

Millennial movements do not always go boom and bust. As innovative responses to worlds in crisis or projections of possibilities for a world in the doldrums, millennialism has been a prime mover for many an artistic and scientific vision of the world reconfigured. Flourishing well beyond the life of any prophet, bearing fruit well beyond the waning of any redemptive scheme, these visions merit a history of their own. The End that Does tracks the interplay of the arts, the sciences, and millennial imagination across 3000 years of surprising conclusions.

A groundbreaking examination of the "double" in modern and contemporary art From ancient mythology to contemporary cinema, the motif of the double-which repeats, duplicates, mirrors, inverts, splits, and reenacts-has captured our imaginations, both attracting and repelling us. The Double examines this essential concept through the lens of art, from modernism to contemporary practice-from the paired paintings of Henri Matisse and Arshile Gorky, to the double line works of Piet Mondrian and Marlow Moss, to Eva Hesse's One More Than One, Lorna Simpson's Two Necklines, Roni Horn's Pair Objects, and Rashid Johnson's The New Negro Escapist Social and Athletic Club (Emmett). James Meyer's survey text explores four modes of doubling: Seeing Double through repetition; Reversal, the inversion or mirroring of an image or form; Dilemma, the staging of an absurd or impossible choice; and the Divided and Doubled Self (split and shadowed selves, personae, fraternal doubles, and pairs). Thought-provoking essays by leading scholars Julia Bryan-Wilson, Tom Gunning, W.J.T. Mitchell, Hillel Schwartz, Shawn Michelle Smith, and Andrew Solomon discuss a host of topics, including the ontology and ethics of the double, the double and psychoanalysis, double consciousness, the doppelganger in silent cinema, and the queer double. Richly illustrated throughout, The Double is a multifaceted exploration of an enduring theme in art, from painting and sculpture to photography, film, video, and performance. Published in association with the National Gallery of Art, Washington, DC Exhibition Schedule National Gallery of Art, Washington, DC July 10-October 31, 2022

A novel attempt to make sense of our preoccupation with copies of all kinds-from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with problems of authenticity, identity, and originality. Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra: counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries-not to mention the very notion of the Real McCoy. Working through a range of theories on biological, mechanical, and electronic reproduction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies-of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of interest to anyone concerned with problems of authenticity, identity, and originality. Praise for the first edition "[T]he author... brings his considerable synthetic powers to bear on our uneasy preoccupation with doubles, likenesses, facsimiles, replicas and re-enactments. I doubt that these cultural phenomena have ever been more comprehensively or more creatively chronicled.... [A] book that gets you to see the world anew, again." -The New York Times "A sprightly and disconcerting piece of cultural history" -Terence Hawkes, London Review of Books "In The Culture of the Copy, [Schwartz] has written the perfect book: original and repetitive at once." -Todd Gitlin, Los Angeles Times Book Review

Listening across millennia, a cultural historian explores the process by which noise today has become as powerfully metaphorical-and intriguing-as the original Babel. When did the "silent deeps" become cacophonous and galaxies begin to swim in a sea of cosmic noise? Why do we think that noises have colors and that colors can be loud? How loud is too loud, and says who? Attending, as ears do, to a surround of sounds at once physical and political, Hillel Schwartz listens across millennia for changes in the Western experience and understanding of noise. From the uproarious junior gods of Babylonian epics to crying infants heard over baby monitors, from doubly mythic Echo to amplifier feedback, from shouts frozen in Rabelaisian air to the squawk of loudspeakers and the static of shortwave radio, Making Noise follows "unwanted sound" on its surprisingly revealing path through terrains domestic and industrial, urban and rural, legal and religious, musical and medical, poetic and scientific. At every stage, readers can hear the cultural reverberations of the historical soundwork of actresses, admen, anthropologists, astronomers, builders, composers, dentists, economists, engineers, filmmakers, firemen, grammar school teachers, jailers, nurses, oceanographers, pastors, philosophers, poets, psychologists, and the writers of children's books. Drawing upon such diverse sources as the archives of antinoise activists and radio advertisers, catalogs of fireworks and dental drills, letters and daybooks of physicists and physicians, military manuals and training films, travel diaries and civil defense pamphlets, as well as museum collections of bells, ear trumpets, megaphones, sirens, stethoscopes, and street organs, Schwartz traces the process by which noise today has become as powerfully metaphorical as the original Babel. Endnotes and bibliography are not included in the physical book but are available online at the MIT Press Web site.

Called to the bedside of someone critically or chronically ill, what should you bring, what can you do, what must you know, what will you say? Likely you've already sat with a grandparent, parent, brother, sister, lover, or friend in a hospital or nursing home and found yourself disturbed by certain medical protocols, mystified by lab reports, frustrated by insurance forms, benumbed by pharmocracy, thinking taboo thoughts about life or loss, and yourself on the verge of falling sick. LONG DAYS, LAST DAYS is for all of us who sooner or later will be sitting for hours with someone we love, senses heightened in the moment but all the while trying to imagine what lies ahead. Arranged alphabetically, this guide offers astute, practical, single-page entries on 200 topics including Advocacy, Checklists, Directives, Gatekeeping, Hospice, Intensive Care, Laughter, Medicine Cabinets, Mutual Peril, Overnight Bags, Pain relief, Sadness, Sex, Waiting, Wills, Young People, and Zero Visibility. You can learn to distinguish Acuteness from Emergency from Urgency, what to do with Blankets and Pillows, where to seek Help, how to hire caregivers, and what questions to ask Agencies, Nurses, Physicians, Social Workers. You may be curious as to why Keys, Nails, Teeth, and Tubes take on such significance. And you may be anxious to know how best, meanwhile, to attend to your own needs. As a case manager, Hillel Schwartz has worked with clients, families, and friends confronting brain injury, breast cancer, lung cancer, prostate cancer, non-Hodgkin lymphoma, heart disease, kidney failure, paralysis, stroke, and Waldenstrom's macroglobulinemia, as well as with households coping with dialysis, colostomies, paraplegia, memory loss. As an historian of medicine and technology, he can put in social and cultural context the language, traditions, and expectations that are often at odds among patients, nurses, internists, specialists, surgeons, and caregivers. All of this is reflected in the rich text of LONG DAYS, LAST DAYS, which has an extensive index and links to online resources and further reading/viewing. It is also thoroughly internally hyperlinked so that readers may move easily across associated topics, as from Noise to Snoring to Roommates to Respite. Unlike books on death and dying, spiritual communion or grief and bereavement, this guide takes into account the entire environment of the bedside, its shifting calendar and climate, its terrain and geography, its sense of presence and absence, its contests and compromises, its physical and ethical demands, and the relationships forged or strained, assumed or resumed. Long Days may not necessarily move through Last Months to Last Breaths, but for days, weeks, or months the bedside has its own ecology, for which few of us are ever fully prepared. Read in draft versions by dozens of laypeople as well as family physicians and neurologists, hospice nurses and psychologists, psychiatric social workers, sociologists, and social philosophers, LONG DAYS, LAST DAYS has been found to be equally useful for friends, families, and professionals, for those new to the bedside as for those returning yet again. Open it to a topic of immediate concern and follow the links. . . or look for subjects that have puzzled you in the past . . . or read it from start to finish in anticipation of what you may need to know in a not-so-distant future. Some entries are meditative, some sheerly informative; some are forthright, some celebratory; some ask for boldness, some for reflection. All told, they help ground and empower each of us in our times at the bedside, helping those we love, palm resting lightly, warmly, on the Breastbone.